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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..

 

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Pierre Renoir Fruits from the Midi oil painting

Painting ID::  3443

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Pierre Renoir
Fruits from the Midi
1881 50.7 x 65.3cm The Art Institute of Chicago
   
   
     

 

 

Pierre Renoir Doges' Palace, Venice oil painting

Painting ID::  3444

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Pierre Renoir
Doges' Palace, Venice
1881 54.5 x 65cm Sterling & Francine Clark Institute, Williamstown
   
   
     

 

 

Pierre Renoir Girl with a Hoop oil painting

Painting ID::  3445

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Pierre Renoir
Girl with a Hoop
1885 125.7 x 76.6cm National Gallery of Art, Washington DC
   
   
     

 

 

Pierre Renoir Gabrielle with Rose oil painting

Painting ID::  3446

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Pierre Renoir
Gabrielle with Rose
1911 55 x 47cm Musee d'Orsay, Paris
   
   
     

 

 

Pierre Renoir Ingenue oil painting

Painting ID::  3447

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Pierre Renoir
Ingenue
1876 55 x 46cm Sterling & Francine Clark Art Institute, Williamstown
   
   
     

 

 

Pierre Renoir Blond Bather oil painting

Painting ID::  3448

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Pierre Renoir
Blond Bather
1903 92.7 x 73.4cm Osterreichische Galerie, Vienna
   
   
     

 

 

Pierre Renoir Oarsmen at Chatou oil painting

Painting ID::  3449

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Pierre Renoir
Oarsmen at Chatou
32 x 39 1/2 inches (81.3 x 100.3 cm) National Gallery of Art, Washington, DC
   
   
     

 

 

Pierre Renoir Girls Picking Flowers oil painting

Painting ID::  3450

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Pierre Renoir
Girls Picking Flowers
1890 65 x 81cm Museum of Fine Arts, Boston
   
   
     

 

 

Pierre Renoir Monet Painting in his Garden oil painting

Painting ID::  3451

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Pierre Renoir
Monet Painting in his Garden
1873 50 x 62cm Wadsworth Atheneum, Hartford, Connecticut
   
   
     

 

 

Pierre Renoir Child in White oil painting

Painting ID::  3452

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Pierre Renoir
Child in White
1883 61.7 x 50.4cm The Art Institute of Chicago
   
   
     

 

 

Pierre Renoir Tilla Durieux oil painting

Painting ID::  3453

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Pierre Renoir
Tilla Durieux
1914 36 1/4 x 29 in. (92.1 x 73.7 cm) The Metropolitan Museum of Art, New York
   
   
     

 

 

Pierre Renoir The Great Bathers oil painting

Painting ID::  3454

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Pierre Renoir
The Great Bathers
1918-19 110 x 160cm Musee d'Orsay, Paris
   
   
     

 

 

Pierre Renoir Bather Arranging her Hair oil painting

Painting ID::  3455

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Pierre Renoir
Bather Arranging her Hair
1893 92.5 x 74cm National Gallery of Art, Washington DC
   
   
     

 

 

Pierre Renoir Woman with Guitar oil painting

Painting ID::  3456

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Pierre Renoir
Woman with Guitar
1896-97 81 x 61cm Musee des Beaux Arts
   
   
     

 

 

Pierre Renoir The Vintagers oil painting

Painting ID::  3457

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Pierre Renoir
The Vintagers
1879 54.2 x 65.4cm National Gallery of Art,Washington DC
   
   
     

 

 

Pierre Renoir Bathers oil painting

Painting ID::  3458

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Pierre Renoir
Bathers
1887 115 x 170cm Philadelphia Museum of Art
   
   
     

 

 

Pierre Renoir Bather with Long Hair oil painting

Painting ID::  3459

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Pierre Renoir
Bather with Long Hair
1895 82 x 65cm Musee de l'Orangerie, Paris
   
   
     

 

 

Pierre Renoir Young Girls by the Seaside oil painting

Painting ID::  3460

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Pierre Renoir
Young Girls by the Seaside
1894 55 x 46cm Private Collection
   
   
     

 

 

Pierre Renoir  Female Nude in a Landscape oil painting

Painting ID::  3461

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Pierre Renoir
Female Nude in a Landscape
1883 65 x 55cm Musee de l'Orangerie, Paris
   
   
     

 

 

Pierre Renoir The Ball at the Moulin  de la Galette oil painting

Painting ID::  3462

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Pierre Renoir
The Ball at the Moulin de la Galette
1876 51 1/2 inches x 69 inches (131 x 175 cm) Musee d'Orsay, Paris
   
   
     

 

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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..